1862-1883: Klimt – Up close and personal

(1862-1883)
Gustav Klimt was born into an epoch that was shaped by Historicism and which led into Modernism. His family lived in modest circumstances. His father, Ernst Klimt (1834-1892), migrated to Vienna with his parents as an eight-year-old from northern Bohemia and was apprenticed to become a simple engraver. His mother, Anna Klimt (1836-1915), came from the Viennese suburb Margareten. They married in 1860 and, after the birth of their daughter Klara (1860-1937), Gustav Klimt came into the world on 14 July 1862 as their first son. Five more children followed: Ernst (1864-1892), Hermine (1865-1938), Georg (1867-1931), Anna (1869-1874) and Johanna (1873-1950) [1]. Klimt’s birth house, Linzerstrasse 247, was located in the suburbs outside Vienna in the rural Baumgarten, which today is part of the city’s fourteenth district[2]. In 1867 the Klimt family moved to Lerchenfelderstrasse in the eighth district, and shortly afterwards to the seventh district, into Neubaugasse 51.
Their father’s wages were barely enough to feed the big family. Gustav was also supposed to become an engraver, but his teachers at elementary and secondary school advised his parents to allow him to take the entrance examination at the Arts College of the Imperial Austrian Museum for Art and Industry (today the University of Applied Arts), which Gustav passed, as his two brothers did shortly afterwards. From 1877 on, he attended classes to become a drawing instructor and in doing so met his later colleague at the “Künstlercompagnie” – Franz Matsch (1861-1942). Shortly before the end of his course, their studies were extended and Matsch and Klimt found their way into the class of their first promoter, the “Klasse für Malerei und decorative Kunst” (Class for Painting and Decorative Arts) [3-4] held by Julius Laufberger (1829-1881).
Klimt, um 1910
Klimt on Lake Attersee, 1909
Klimt and Gertrude Flöge on Lake Attersee, 1912

During that time, the financial situation of the family, which now lived at Mariahilferstrasse 75 in the sixth district, had gradually improved. During their free time, Gustav and Ernst Klimt fashioned portraits from photographs. By selling these works they were able to support the family fairly well [5]. Besides teaching them the basics and techniques of painting, Laufberger frequently involved his students in his own commissions and by doing so

the two Klimts and Matsch soon became familiar with the art market. In 1883 the talented young students finished their education and consolidated their existing collaboration by founding the Künstlercompagnie, which brought them numerous jobs within the Austro-Hungarian Empire until Ernst’s death in 1892.

1883-1892: Klimt and the “Artists’ Company”

Frieze at the Kunsthistorisches Museum, Vienna, 1890/91On the basis of their successful collaboration at the arts college, Gustav Klimt, Ernst Klimt (1864-1892) and Franz Matsch (1861-1942) founded the “Artists’ Company” in 1883 [1]. Their technically and...

1894-1905: Klimt’s Faculty Paintings

Seldom has there been a project in Austrian art history that aroused so much opposition from its beginnings. The main building of the University of Vienna, the Alma Mater Rudolfina, was completed in the French-Italian Renaissance style by Heinrich Ritter von Ferstel...

1897-1905: Klimt and the Vienna Secession

The foundation of the Vienna Secession is considered a milestone for the artistic renewal of “Vienna 1900” and the birth of Viennese Jugendstil. 23 artists, above all Gustav Klimt, Josef Hoffmann, Joseph Maria Olbrich, Kolo Moser and Carl Moll, dissatisfied with the...

1898-1917: Klimt‘s landscapes

After being already pretty well known for his allegories and female portraits, Gustav Klimt turned relatively late to landscape paintings. The first works of this genre were produced in 1898 [1], when he already was president of the shortly before founded Vienna...

Klimt’s Drawings

Embracing Couple (Study for the „Beethoven Frieze“), 1902, Leopold Museum, ViennaProfile of a Girl with Hat and Cloak, 1908/09, Leopold Museum, ViennaGirl putting on Stockings, 1908/09, Leopold Museum, ViennaProning Female Half-Nude with Frilled Dress, 1904, Leopold...

1902: Klimt’s Beethoven Frieze

Beethoven Frieze, Narrow Side: Hostile Forces, Disease, Madness, Death, Lust, Unchastity, Immoderacy, Niggling GriefOf the Vienna Secession exhibitions taking place between 1897 and 1905, the 14th exhibition (April 15th – June 27th, 1902)—dedicated entirely to the...

Klimt and his Patrons in “Vienna of 1900”

Alma Mahler, 1899Friederike Beer-Monti, 1913Eugenia PrimavesiBerta Zuckerkandl,1908Even today, the world remains fascinated with the idea of “Vienna around 1900,” with all its peculiarities and diversity. The Jugendstil painter Gustav Klimt, who was supported and...

1904-1909: Klimt and the Stoclet Palace

ExpectationTree of LifeFulfillmentTree of Life"The Stoclet House is indeed very, very beautiful. The photographs give no idea and do no justice to it. The garden as well is much prettier than I expected [...] And when I walk through this room – I have the strongest...

1903/05-1911: Klimt and the “Golden Phase”

Portrait Adele Bloch-Bauer I, 1907, Neue Galerie, New YorkNot everybody was able to afford works by Gustav Klimt. His clients were mostly men of the upper middle classes. His commissions were a mirror of Viennese society, which, on many occasions, speculated about the...

Klimt and Emilie Flöge

Gustav Klimt und Emilie Flöge in the Garden of Villa Oleander, 1910Gustav and Emilie in a Rowing Boat, 1909Gustav Klimt painted the portrait of Emilie Flöge, who he first met in the 1890s and stayed connected with for the rest of his life, between 1902 and 1904. The...

1908/09: Klimt and the Kunstschau

Seal of the Kunstschau 1908, Leopold Museum, ViennaIn 1908, the emperor Franz Josef celebrated 60 years since his coronation with a procession in honour of the emperor’s jubilee. Numerous artists were involved with the arrangements for the procession, including the...

1903-1915: Klimt and the Depiction of the Cycle of Life

Death and Life, First Version, 1910/11, Leopold Museum, ViennaHope II, 1907-1908, The Museum of Modern Art, New YorkHope I, 1903/04, National Gallery of Canada, OttawaIn addition to representational portraits of women from Viennese society and innovative landscape...

1912-1918: Klimt’s Last Studio

Gustav Klimt worked for nearly 20 years in a studio situated within an overgrown garden in the Josefstadt district. After this building was demolished, his artist colleague Felix Albrecht Harta helped him find a charming little house with a big garden in 1912, in the...